商品説明

Since we released the rehearsal sound source for the 1984 European tour, we can't help but release the actual tour together. Moreover, since the rehearsal is a sound board recording, you want to listen to the actual tour with the sound board recording. So far, we have released "BRUSSELS AFFAIR" in the first half of the tour and "THE BEST SHOW: BARCERONA 1984" in Barcelona, ​​which became a famous performance of the century at the middle point of the tour. Although both were audience recordings, they boasted extremely high quality in both sound quality and content, so they not only became bestsellers, but also produced a response that re-evaluated the 1984 tour.
And this time, stereo sound board recording finally appeared. What's more, the show was held between Brussels and Barcelona, ​​which is an exquisite time. It is the SBD sound source of Paraeuul (currently Paralot Mattica) in Rome on June 19th, which will be released this time in a limited press CD release. If it becomes Rome on that date, there must be a maniac who comes with Pean. Yes, it is a sound board recording released by Wanted Man in the past on "OH THE STREETS OF ROME" and by a label called Shamrock on "LIVE AT PALAEUR".
In fact, the late release "LIVE AT PALAEUR" was said to be the decisive board of the Roman SBD, while "OH THE STREETS ~", which was completely recorded but had a severe pitch deviation. Actually, "LIVE AT PALAEUR" is still uploaded on the Guitars 101 site, and there are even crude items released on CD-R after downloading from there.
However, what about the shamrock board (hereinafter referred to as the already-released board) that I heard anew for this release has a surprisingly equalized and unnatural texture. It is presumed that it is actually the result of using a sound source compressed through a personal computer when it was released, rather than equalizing. It is a fact that you will be reminded that the sound source compression technology at the beginning of the 21st century, when the existing board was released, was incomparably childish. Also, the already released version was not Dylan's song, but the cover "I've Got To Use My Imagination" of Gladys Knight & The Pips sung by Greg Sutton was cut.

Disc 1 (76:30)
1. Highway 61 Revisited 2. Jokerman 3. All Along The Watchtower 4. Just Like A Woman
5. Maggie's Farm 6. I And I 7. License To Kill
8. I've Got To Use My Imagination (sung by Greg Sutton) 9. A Hard Rain's A-Gonna Fall
10. Tangled Up In Blue 11. It's Alright, Ma (I'm Only Bleeding) 12. Simple Twist Of Fate
13. Masters Of War 14. Ballad Of A Thin Man

Disc 2 (72:57)
1. When You Gonna Wake Up 2. Every Grain Of Sand 3. Like A Rolling Stone
4. Mr. Tambourine Man 5. It Ain't Me, Babe 6. The Times They Are A-Changin' (with Carlos Santana)
7. I Shall Be Released (with Carlos Santana) 8. Tombstone Blues (with Carlos Santana)
9. Blowin' In The Wind (with Carlos Santana)

Bonus Track
Roma Palaeur, Rome, Italy 20th June 1984

10. It Ain't Me, Babe 11. The Times They Are A-Changin' (with Carlos Santana)
12. Leopard-Skin Pill-Box Hat (with Carlos Santana) 13. Tombstone Blues (with Carlos Santana)
14. Blowin' In The Wind (with Carlos Santana)

STEREO SOUNDBOARD RECORDING

Bob Dylan (vocal & guitar) Mick Taylor (guitar) Ian McLagan (keyboards)
Greg Sutton (bass) Colin Allen (drums)

BOB DYLAN NABY