商品説明

This week's Eric Clapton release, Tori, is the best audience sound source for the 1974 stadium performance! Looking at it this way, all three works released this week were strangely stadium performances. 1974, 1988, 1992. You can see that Clapton has been performing for 18 years at the stadium venue, which is the artist's highest peak, without losing its popularity at all. As expected, Clapton. And this edition is in 74 years of the drunken tour, and it records a valuable day in terms of performance and record. The master of this board is also a low gene master brought from the familiar British-based heavyweight Taper, and the sound image is monaural but its freshness and spread, and clearness has never been experienced before. The recording date is July 7, 1974, at the Roosevelt Stadium in Jersey City, New Jersey, USA. Until now, there was an already-released board that recorded the incomplete soundboard source of the day, and the present board of the Lord was missing, and there was also an already-released board of monaural audience recording, but the low gene superb audience far surpassing the already-released board. This board (only Key To The Highway has not been recorded, but Crossroads has not been recorded in the existing sound board titles), which has achieved almost complete recording by recording, allows you to enjoy the whole story at once and enjoy the real pleasure of audience recording. It can be said that it is the new definitive edition of the day that you can experience. Recently, on July 6th, the day before, "Summerfest At Rich Stadium 1974" was released, which recorded the stage at the Summerfest held at Rich Stadium in Buffalo, New York, USA, and also participated in it. The great Freddie King who was doing is participating on this day as well. I think it was a lot of fun to play with the disciples. The terrifying guitar battle between King and Clapton listening to the best sound quality stirs up the excitement more than the day before. King, who hit it off with this co-star, then invites Clapton to a recording session for his new album "BURGLAR". Clapton would have been happy to hit him off with his longing bluesman. Now let's see how the performance of the day was positioned in this comeback year.

・ June 19th and 20th, 1974: Warm-up gig in Scandinavia for a national comeback tour
・ June 28-August 4, 1974: US Tour ← ★ Coco ★
≪August 5, 1974: Album "461 OCEAN BOULE VARD" released≫
・ August-September 1974: Recorded the album "THERE'S ONE IN EVERY CROWD" in Miami.
・ September 28-October 6, 1974: The 2nd National Tour
・ October 31st-November 6th, 1974: First Japan Tour
・ November 27th-December 5th, 1974: Europe Tour

This performance was the 8th performance of the tour after a warm-up gig in Scandinavia.

(75:49)
1. Firecrackers 2. Smile 3. Let it Grow 4. Let it Rain 5. Willie and the Hand Jive
6. Get Ready . Presence of the Lord 8. Badge 9. Tell the Truth
10. Have You Ever Loved a Woman (with Freddie King) 11. Little Queenie
12. Crossroads

Eric Clapton - Guitar, Vocals George Terry - Guitar Dicks Sims - Keyboards
Carl Radle - Bass Jamie Oldaker - Drums Yvonne Elliman - Backing Vocals

It will be released with a sticker with numbering.

ERIC CLAPTON NAVY