商品説明

Introducing a shocking new excavation series, Shinhatsu. This week, three live albums will be released at the same time from "Fateful 1973", but one of them is one of the best. It is a big decision board of the performance of "June 25, 1973: Nippon Budokan" known as that "night of riots".

The most shocking thing is that this work is the simultaneous excavation of two types with a new sound source (!) That was released for the first time. Although the excavation series last week and this week are both new masters, the recording itself was the same as the previous one. However, this work is a 4-disc set with "new master of the same recording as the existing one" on disc 1-2 and "new recording" on disc 3-4. Of course, these two types are recorded separately, so the missing parts such as tape changes are also different. Therefore, it is not only a new excavation but also a complete version with two types of mutual complementation.

I'm curious about the contents, but this week we will release 3 of them from "Japan in 1973" at the same time. Let's summarize the masterpieces of each day, including the meaning of the arrangement.

・ June 23: Hiroshima City Public Hall "DEFINITIVE HIROSHIMA 1973"
・ June 24: Nagoya Civic Assembly Hall "DEFINITIVE NAGOYA 1973"
・ June 25: Nippon Budokan [this work]
・ June 26: Nippon Budokan (cancelled)
・ June 27: Osaka Kosei Nenkin Kaikan "FINAL BLACK"
・ June 29: Osaka Kosei Nenkin Kaikan "" THE END ""
(* Only representative press titles on each day)

[Disc 1-2: Even longer riot master]
The first thing that appears is a new master that has been upgraded while recording the same as the previous one. Speaking of the decisive board of the day, it is a shocking work "BUDOKAN 1973 (Darker Than Blue 199/200)" that also recorded a big riot, but this work is the same recording. But it's another master that's even longer and sounds great. First of all, the sound is amazing when played. It is a superb recording that has been praised as "the best sound of Japan in 1973" from the previous release, but this work is a more natural and thick musical sound. The best thing is the clearness with minimal noise. Although it was exceptional in "BUDOKAN 1973", it seems that there was dubbing that raised the low-pitched sound part in the distribution process, and hiss noise and low-pitched hum noise were conspicuous in the quiet part. Therefore, there was a strange feeling of strangeness in the songs that developed dynamically.

RECORDER 1
Disc 1 (45:16)
1. Intro. 2. Highway Star 3. Smoke On The Water 4. Strange Kind Of Woman 5. Child In Time

Disc 2 (46:12)
1. MC 2. Keyboard Solo 3. Lazy 4. Drum Solo 5. The Mule 6. Space Truckin' 7. Riot

RECORDER 2
Disc 3 (45:17)
1. Intro. 2. Highway Star 3. Smoke On The Water 4. Strange Kind Of Woman 5. Child In Time

Disc 4 (44:06)
1. MC 2. Keyboard Solo 3. Lazy 4. Drum Solo 5. The Mule 6. Space Truckin'

DEEP PURPLE KENT