商品説明

AEROSMITH came to Japan in 2000 to celebrate the beginning of the new millennium. A newly excavated original recording that brings back the New Year's mood 23 years ago is here.

The performance on January 4, 2000 at Fukuoka Dome is recorded in this work. This is the super-excellent audience recording. At the time, they were at the height of their popularity with the four major dome tours for two consecutive years, and the TV broadcast pro shot "OSAKA DOME 1999 NEW YEARS EVE (Shades 1356)", which can be said to be a symbol of that, also reigns as a standard. First of all, let's check the positions of each in the schedule at that time.

●1999
・December 29: Osaka Dome
・December 31: Osaka Dome ←※TV broadcast
●2000
・January 2: Nagoya Dome
・January 4: Fukuoka Dome ←★This work★
・January 6: Tokyo Dome
・January 7: Tokyo Dome

This is the schedule for the end of 1999 and the beginning of 2000. As the title suggests, "OSAKA DOME 1999 NEW YEARS EVE" was a New Year's Eve countdown live. AEROSMITH toured domes around the country at the beginning of the year, and this work was the Fukuoka edition.
This work, which vacuum-packed the scene, is an exquisite masterpiece that you wouldn't think was from a dome. This is the latest installment of the DAT Master series, which has released a series of masterpieces, and this work is at a special level even in that collection. What's most amazing is the direct feeling of the extremely thick core. There is no sense of distance at all. It's not mistaken for a sound board because it absorbs real enthusiasm, but the essential sound of the performance is just like a sound board. In fact, even if you mix it with the TV broadcast of the New Year's Eve live show "OSAKA DOME 1999 NEW YEARS EVE" and play it, it won't give up even half a step... No, the natural beauty is about to win. Speaking of dome recording, it's natural that it's blurry and fuzzy. It's a miracle that it was recorded at the level of other venues, but it's a sound board class. How could such a sound be possible... Maybe the dome was fully open on the day? It's hard to imagine it being fully open in the cold sky of January, but Fukuoka was sunny all day that day. Above all, it's a superb sound with zero reverberation that can only be thought of as such. Such a super direct sound is drawn, and it's a full show that is similar but not the same as the symbolic pro shot "OSAKA DOME 1999 NEW YEARS EVE". Let's organize it by comparing the sets here.

●70's Classics (10 songs)
- Fly! Aerosmith: Same Old Song And Dance/Train Kept A Rollin'/S.O.S. (Too Bad) (★)

・Dark Night Heavy Rock: Big Ten Inch Record (★)/Walk This Way/Sweet Emotion

・Other: Dream On/Mama Kin/Lick And A Promise (★)/Mother Popcorn

●80s and after (13 songs)

・Get a Grip: Eat The Rich/Livin' on the Edge/Cryin'

・Cover: Red House (★)/Stop Messin' Around

・Other: Let The Music Do The Talking/Rag Doll/Dude (Looks Like a Lady)/Love In An Elevator/Janie's Got A Gun/Falling In Love (Is Hard On The Knees)/Pink/I Don't Want To Miss A Thing

*Note: The ★ mark indicates a pro shot from OSAKA DOME 1999 NEW YEARS Songs that could not be heard at "OSAKA DOME 1999 NEW YEARS EVE".

... and so on. "OSAKA DOME 1999 NEW YEARS EVE" was longer than the normal performance because it was a countdown live, but there was plenty of repertoire that could not be heard there either. In particular, "S.O.S. (Too Bad)", "Lick And A Promise" and "Red House" sung by Joe Perry are valuable.

Anyway, it is an astonishingly super tight recording. This is not just about good sound. Even if the sound is away from the dome, the show content and spectacle are undoubtedly a huge dome performance. And even if it is sound board class, it also absorbs the real on-site feeling that you cannot get with a sound board. This is a new masterpiece that allows you to fully experience the popular AEROSMITH with such a different dimension dome feeling. Here is a magnificent new excavation.

★ Super finest audience recording of the "January 4, 2000: Fukuoka Dome" performance. The direct feeling of the extra-thick core is intense, and there is no sense of distance at all. While absorbing the real enthusiasm, the essential performance sound is like a sound board itself. It is not inferior even if it is mixed with the TV broadcast pro shot "OSAKA DOME 1999 NEW YEARS EVE" of the same visit to Japan and played ... No, the natural beauty is better. You can experience the superb full show with famous songs that you can't hear in the Osaka pro shot such as "Big Ten Inch Record", "S.O.S. (Too Bad)", "Lick And A Promise", and "Red House".

Disc 1 (55:09)
1. Intro
2. Eat the Rich
3. Falling in Love (Is Hard on the Knees)
4. Same Old Song and Dance
5. Love in an Elevator
6. Livin' on the Edge
7. Rag Doll
8. Dream On
9. Janie's Got a Gun
10. Lick and a Promise
11. Big Ten Inch Record
12. Pink

Disc 2 (62:54)
1. Let the Music Do the Talking
2. Red House
3. Stop Messin' Around
4. Mother Popcorn
5. Walk This Way
6. I Don't Want to Miss a Thing
7. Cryin'
8. Dude (Looks Like a Lady)
9. Mama Kin
10. The Train Kept A-Rollin'
11. Sweet Emotion
12. S.O.S. (Too Bad)
13. Sweet Emotion (reprise)
14. Band Introductions

Steven Tyler - vocals, harmonica, percussion
Joe Perry - guitar, vocals
Brad Whitford - guitar
Tom Hamilton - bass
Joey Kramer - drums, percussion

AEROSMITH　N