商品説明

The 1987 UK tour that realized the only "Wembley Stadium performance" in Bowie's life. The Kinney recording "WEMBLEY STADIUM 1987 (Uxbridge 1192)" has become very popular, but a further prestigious original cassette is a new excavation.

"June 21, 1987 Cardiff Performance" is included in this work. It is a masterpiece audience recording that conveys the whole picture. Suddenly I started from "Wembley Stadium" which is different from this work, but for those who have not experienced "WEMBLEY STADIUM 1987", let's start from the beginning. Speaking of 1987, the years of "NEVER LET ME DOWN" and "GLASS SPIDER TOUR", which became the height of pop stars in Bowie's career. Aside from the style, the presence in the scene is enormous, and a solo concert was realized at "Wembley Stadium", which was the site of "LIVE AID". The solo show at that huge venue was only two nights in 1987 in Bowie's life. "WEMBLEY STADIUM 1987" was a live album in which the prestigious "Kinney" recorded the whole story. However, "WEMBLEY STADIUM 1987" was not the only Kinney recording in 1987. This work is also a legacy of Kinney. It is a famous recording of the Cardiff performance that will be the day after "Wembley Stadium".
Speaking of "GLASS SPIDER TOUR", the official DVD "GLASS SPIDER" and the official CD "GLASS SPIDER (LIVE MONTREAL '87)" are also left, so here I will hold down the position of the show from the whole picture of the tour. prize.

・ March 17-30: Promo show (9 times)
"April 20" NEVER LET ME DOWN "released"
・ May 29-July 18: Europe (27 performances) ← ★ Coco ★
・ July 30-October 14: North America (44 performances) ← * Official CD
・ October 29-November 28: Oceania (15 performances) ← * Official DVD

This is Bowie in 1987. It was also the 13th performance of the "Europe" leg. This work recorded at such a show is a beautiful recording that is exactly the sequel to "WEMBLEY STADIUM 1987". If you have experienced that masterpiece, you may have already decided, but the characteristic of Kinney recording is beauty. Since the site of this work is also a huge venue with a scale of 50,000 people, you can not wipe the sense of distance and you can not expect a direct feeling like a sound board, but the clear and clear air feeling is refreshing, and the performance that penetrates the middle of it. The sound and Bowie's singing voice are dignified to the details. Since it is the same open space as "Wembley Stadium", there is no echo, the vocals can understand even one word of the lyrics, and the guitar of Peter Frampton & Carlos Alomar is also transmitted to the nuances. Furthermore, the audience noise is far away. Although I feel the reality of the scene where 50,000 people wriggle, it does not interfere with the playing sound. The prestigious Kinney did not aim for a line recording sound, but pursued the clearness and beauty unique to guest recording, but the design is also alive in this work.

Disc 1(59:50)
1. Purple Haze Intro
2. Carlos Guitar Intro
3. Up The Hill Backwards
4. Glass Spider
5. Up The Hill Backwards (reprise)
6. Day-In Day-Out
7. Bang Bang
8. Absolute Beginners
9. Loving The Alien
10. China Girl
11. Fashion
12. Scary Monsters (And Super Creeps)
13. All The Madmen
14. Never Let Me Down

Disc 2(60:40)
1. Big Brother
2. '87 And Cry
3. "Heroes"
4. Time Will Crawl
5. Band Introductions
6. Beat Of Your Drum
7. Sons Of The Silent Age
8. Dancing With The Big Boys
9. Zeroes
10. Let's Dance
11. Fame
12. Blue Jean
13. Modern Love

DAVID BOWIE KENT