商品説明

The Kinney recording original cassette series, which is a series of shocking works, this time, a completely unpublished master of Jeff Beck's performance in Japan was unearthed. Included in this work is the performance of "December 4, Budokan" on the first day of the 1980 Japan tour, which will be the fourth visit to Japan. Most of the Kinney recordings at that time were released as analog LPs, but this master never became an LP and slept unknowingly for 35 years. No one has ever heard of it, and it is the first master to be released worldwide.
At that time, Jeff Beck, who had just released the famous board "THERE AND BACK", was at the height of his popularity, and this year's Japan tour was also one of the most successful in the history of Jeff's visit to Japan with 11 performances. Moreover, this first day recording has not been known for a long time, and in the 2000s, CDRs such as "FIRST BUDOKAN 1980" and "TOO MUCH TO LOSE" of "decent sound" appeared, and it was finally possible to grasp the whole picture. .. Why was it in storage despite the fierce demand for many years?
The quality of this work further deepens the mystery. I thought that it was a failure recording just because it was stored, but it is a wonderful sound that is the highest grade even in Kinney recording. The outline of each instrument is tight and the core is thick. The bass that tends to fall out in the audience recordings at that time also resonates richly, but it does not blur due to excessive reverberation. Speaking of live on this day, the master of the amazing box set "CYCLONE" that appeared in 2010 has been regarded as the highest peak, but the quality of this work surpasses even that super clear sound. ..
The great masterpiece also had a direct feeling that did not make you feel a sense of distance, but this work is even closer to the musical sound, and it is almost zero distance. The loud cheers like the rain that reverberate between the songs project the spectacle of the Budokan, but there is nothing that disturbs Shin during the performance. It was recorded from the southeastern stand on the 1st floor, but I couldn't feel the distance, and the beautiful sound that I couldn't think of at the Budokan before the acoustic work did not shake the whole story (in the last part of "Blue Wind"). Since there was a cut due to a tape change, I supplemented it with an existing master for about 49 seconds. Most of them are cheers, and the music part is about 8 seconds). Why and why didn't we make such a sound in the world ……… I'm really wondering.

Disc 1 (38:07)
1. Intro. 2. Star Cycle 3. El Becko 4. Too Much To Lose 5. The Pump 6. Cause We've Ended As Lovers
7. Space Boogie 8. Led Boots

Disc 2 (54:12)
1. Freeway Jam 2. Diamond Dust 3. Scatterbrain 4. Drum Solo/Scatterbrain(reprise)
5. Blue Wind 6. Goodbye Pork Pie Hat 7. You Never Know 8. Going Down

JEFF BECK NAVY